Hey music fans! Ready to dive deep into the world of REO Speedwagon? This legendary band has given us some of the most iconic rock anthems and power ballads ever. So, let’s buckle up and explore their complete discography, from their early days to their chart-topping success. Whether you're a die-hard fan or just discovering their music, this guide will give you all the details you need. I'm gonna walk you through every album, highlighting the key tracks and sharing some interesting tidbits along the way. Let's get started!

REO Speedwagon (1971)

REO Speedwagon's self-titled debut album, released in 1971, marks the beginning of their musical journey. It's a fascinating glimpse into the band's early sound, which was more experimental and progressive compared to their later arena rock anthems. You can really hear them finding their feet. The album features original members Gary Richrath on guitar, Alan Gratzer on drums, and Terry Luttrell on vocals. The overall vibe is raw and energetic, showcasing their instrumental talents and blues-rock influences.

While it didn't produce any major hits, the debut album laid the groundwork for what REO Speedwagon would become. It gave them a chance to hone their skills, develop their songwriting, and start building a loyal fanbase. Tracks like "157 Riverside Avenue" and "Lay Me Down" offer extended jams and showcase Richrath's guitar prowess. Luttrell's vocals bring a soulful edge to the songs, differentiating them from the smoother sound they'd later adopt. The production quality might sound a little dated by today's standards, but that's part of its charm. It captures the essence of a young band pouring their hearts out, eager to make a name for themselves. For those interested in tracing the evolution of REO Speedwagon, this debut is essential listening. It's a reminder that even the biggest bands start somewhere, and this is where REO Speedwagon's story began. So, crank it up and enjoy the raw energy of their first effort!

R.E.O./T.W.O. (1972)

R.E.O./T.W.O., released in 1972, is the second studio album by REO Speedwagon, and it represents a significant step in the band's development. This album saw the departure of Terry Luttrell and the introduction of Kevin Cronin, who would become one of the band's defining voices. Cronin's arrival brought a smoother, more melodic sensibility to the band's sound, which is immediately noticeable. The album title itself is a play on words, referencing both the band's name and their second album.

Musically, R.E.O./T.W.O. continues to explore the band's rock and roll roots, but with a greater emphasis on songwriting and vocal harmonies. Tracks like "Golden Country" and "Music Man" showcase Cronin's vocal abilities and the band's growing confidence in crafting catchy, radio-friendly tunes. Gary Richrath's guitar work remains a prominent feature, providing plenty of energetic riffs and solos. The album also includes some more experimental moments, such as the instrumental track "Let Me Ride," which allows the band to stretch out and demonstrate their instrumental skills. The production quality is noticeably improved compared to their debut, resulting in a cleaner and more polished sound. This album also solidified the band's reputation as a strong live act, with many of these songs becoming staples of their concerts. R.E.O./T.W.O. is an important album in REO Speedwagon's discography because it marks the beginning of the Cronin era and points towards the band's future success. It's a blend of their early energy and the more refined sound that would eventually make them superstars. If you want to hear the band transition from their raw beginnings to a more polished rock sound, R.E.O./T.W.O. is a must-listen.

Ridin' the Storm Out (1973)

Ridin' the Storm Out, released in 1973, is REO Speedwagon's third studio album and a pivotal moment in their career. It's the album that truly captured the band's raw energy and established them as a force to be reckoned with in the rock world. This album is notable for being the last to feature Mike Murphy on vocals before Kevin Cronin's return. Murphy brought a grittier, more blues-influenced vocal style to the band, which gives this album a distinct flavor. The title track, "Ridin' the Storm Out," became an instant classic and remains one of the band's most recognizable songs.

The album as a whole is a powerhouse of hard-hitting rock anthems and soulful ballads. Tracks like "Son of a Poor Man" and "Whiskey Woman" showcase the band's ability to blend catchy melodies with powerful guitar riffs and driving rhythms. Murphy's vocals are full of passion and intensity, perfectly complementing the band's energetic performance. Gary Richrath's guitar work is particularly impressive on this album, with his solos soaring and his riffs cutting through the mix. The production is raw and immediate, capturing the band's live sound and making you feel like you're right there in the audience. "Ridin' the Storm Out" not only became a concert staple but also helped REO Speedwagon gain a wider audience and establish themselves as a major touring act. The album's success demonstrated the band's ability to connect with listeners on an emotional level and cemented their place in rock history. For fans of classic rock, Ridin' the Storm Out is an essential album that showcases REO Speedwagon at their most raw and energetic. It's a reminder of the power of rock and roll and the importance of capturing a band's true sound on record.

Lost in a Dream (1974)

Lost in a Dream, released in 1974, is REO Speedwagon's fourth studio album and a significant departure from their earlier, more straightforward rock sound. This album sees the band experimenting with more complex arrangements and incorporating elements of progressive rock and jazz fusion. Mike Murphy remained on vocals for this album. While it might not be as commercially successful as some of their later work, Lost in a Dream is a fascinating glimpse into the band's artistic ambitions and willingness to take risks.

The album features longer, more intricate songs with extended instrumental passages and shifting time signatures. Tracks like "Lost in a Dream" and "Down by the Dam" showcase the band's musical versatility and their ability to create atmospheric and engaging soundscapes. Murphy's vocals take on a more introspective quality, reflecting the album's thematic focus on dreams, memories, and the passage of time. Gary Richrath's guitar work is as impressive as ever, but he also explores new sonic territories with the use of effects and unconventional playing techniques. The production is lush and detailed, creating a rich sonic tapestry that rewards repeated listening. While Lost in a Dream may not be the first REO Speedwagon album that comes to mind for casual fans, it's a must-hear for those interested in exploring the band's more experimental side. It demonstrates their willingness to push boundaries and challenge expectations, and it offers a unique perspective on their musical evolution. If you're looking for an REO Speedwagon album that's a little different from the norm, Lost in a Dream is definitely worth checking out. It's a testament to the band's creativity and their commitment to exploring new musical horizons.

This Time We Mean It (1975)

This Time We Mean It, released in 1975, marked a return to a more straightforward rock sound for REO Speedwagon after their experimental detour with Lost in a Dream. This album saw the return of Kevin Cronin, solidifying the lineup that would achieve massive success in the late 1970s and early 1980s. Cronin's return brought a renewed focus on catchy melodies, tight arrangements, and the kind of anthemic rock songs that would become their trademark.

The album is packed with energetic rockers and heartfelt ballads, showcasing the band's versatility and their ability to connect with a wide audience. Tracks like "(I Believe) Our Time Is Gonna Come" and "Let Me Love You" are prime examples of the band's signature sound, with soaring vocals, driving rhythms, and memorable guitar riffs. Cronin's songwriting is particularly strong on this album, with many of the songs exploring themes of love, hope, and perseverance. Gary Richrath's guitar work is as sharp and dynamic as ever, providing plenty of memorable solos and riffs. The production is clean and polished, creating a professional and radio-friendly sound. This Time We Mean It was a commercial success for REO Speedwagon, helping them to build a larger fanbase and gain more exposure on the radio. It demonstrated that the band was back on track and ready to take on the world. For fans of classic REO Speedwagon, This Time We Mean It is an essential album that captures the band at their most focused and energetic. It's a reminder of the power of rock and roll and the importance of staying true to your vision.

REO (1976)

REO, released in 1976, is the sixth studio album by REO Speedwagon and represents a further refinement of their signature sound. This album continues the band's trend of blending hard-rocking anthems with heartfelt ballads, showcasing their versatility and their ability to appeal to a broad audience. With Kevin Cronin firmly back in the fold, the band sounds confident and cohesive, ready to take on the world.

The album features a mix of original compositions and covers, demonstrating the band's wide range of influences. Tracks like "Keep Pushin'" and "Flying Turkey Trot" are high-energy rockers that showcase the band's instrumental prowess and their ability to create infectious grooves. Ballads like "I Need You Tonight" and "Any Kind of Love" highlight Cronin's emotive vocals and the band's knack for crafting memorable melodies. Gary Richrath's guitar work is as impressive as ever, with his solos adding depth and excitement to the songs. The production is polished and professional, giving the album a clean and radio-friendly sound. While REO may not be as well-known as some of their later albums, it's a solid effort that demonstrates the band's continued growth and evolution. It's a testament to their hard work and dedication, and it helped pave the way for their breakthrough success in the late 1970s. For fans of REO Speedwagon, REO is a worthwhile addition to their collection, offering a glimpse into the band's journey towards rock stardom.

You Get What You Play For (1977)

You Get What You Play For, released in 1977, is REO Speedwagon's first live album and a testament to their reputation as a high-energy and exciting live act. This album captures the band at their peak, delivering blistering performances of their classic songs in front of enthusiastic crowds. It's a must-have for any REO Speedwagon fan and a great introduction to the band for newcomers.

The album features live versions of songs from their previous albums, including "Ridin' the Storm Out," "Golden Country," and "Keep Pushin'." The energy and excitement of the live performances are palpable, with the band members feeding off the energy of the crowd and delivering electrifying solos and vocals. Cronin's stage presence is particularly impressive, as he effortlessly engages with the audience and leads them through the songs. Richrath's guitar work is even more dynamic and improvisational in the live setting, showcasing his virtuosity and his ability to connect with the music on a deep level. The production is raw and immediate, capturing the energy of the live performances without sacrificing clarity or detail. You Get What You Play For was a commercial success for REO Speedwagon, helping them to reach a wider audience and solidify their reputation as one of the top live bands in the world. It's a reminder of the power of live music and the importance of connecting with audiences on a personal level. For fans of REO Speedwagon, You Get What You Play For is an essential album that captures the band at their most raw and energetic. It's a celebration of their music and their connection with their fans.

Infidelity (1980)

Infidelity, released in 1980, is REO Speedwagon's ninth studio album and their breakthrough commercial success. It's the album that catapulted them to superstardom and made them a household name. Infidelity spawned multiple hit singles, including "Keep On Loving You" and "Take It on the Run," which became staples of radio and MTV. This album is a perfect blend of hard-rocking anthems and heartfelt ballads, showcasing the band's versatility and their ability to connect with a wide audience.

The album's success can be attributed to its strong songwriting, polished production, and the band's undeniable chemistry. Tracks like "Don't Let Him Go" and "Tough Guys" are high-energy rockers that showcase the band's instrumental prowess and their ability to create catchy hooks. Ballads like "Follow My Heart" and "Someone Tonight" highlight Cronin's emotive vocals and the band's knack for crafting unforgettable melodies. Gary Richrath's guitar work is as impressive as ever, with his solos adding depth and emotion to the songs. The production is slick and professional, giving the album a polished and radio-friendly sound. Infidelity spent multiple weeks at the top of the Billboard charts and sold millions of copies, making it one of the best-selling albums of the 1980s. It's a testament to the band's talent and their ability to connect with listeners on an emotional level. For fans of REO Speedwagon, Infidelity is an essential album that captures the band at their peak. It's a celebration of their music and their enduring legacy.

Hi Infidelity (1980)

Oops, there seems to be a slight mix-up! While the intended album was Infidelity released in 1980, there is no album titled Hi Infidelity. It's easy to get the titles mixed up due to the massive popularity and cultural impact of Infidelity.

Good Trouble (1982)

Good Trouble, released in 1982, is REO Speedwagon's tenth studio album and a follow-up to their massive success with Infidelity. While it didn't reach the same stratospheric heights as its predecessor, Good Trouble was still a commercial success, spawning several hit singles and solidifying the band's status as one of the top rock acts of the 1980s.

The album continues the band's trend of blending hard-rocking anthems with heartfelt ballads, showcasing their versatility and their ability to appeal to a wide audience. Tracks like "Keep the Fire Burnin'" and "Sweet Time" are high-energy rockers that showcase the band's instrumental prowess and their ability to create catchy hooks. Ballads like "The Key" and "Stillness of the Night" highlight Cronin's emotive vocals and the band's knack for crafting memorable melodies. Gary Richrath's guitar work is as impressive as ever, with his solos adding depth and emotion to the songs. The production is polished and professional, giving the album a clean and radio-friendly sound. Good Trouble is a solid album that demonstrates the band's continued commitment to their craft. It's a worthwhile addition to any REO Speedwagon fan's collection, offering a mix of familiar sounds and new sonic explorations.

Wheels Are Turnin' (1984)

Wheels Are Turnin', released in 1984, is REO Speedwagon's eleventh studio album and another commercial success for the band. This album marked a slight shift in the band's sound, with more emphasis on synthesizers and a more polished production style. While some fans missed the raw energy of their earlier albums, Wheels Are Turnin' still spawned several hit singles and demonstrated the band's ability to adapt to changing musical trends.

The album features a mix of upbeat rockers and heartfelt ballads, showcasing the band's versatility and their ability to connect with a wide audience. Tracks like "I Do' Wanna Know" and "Live Every Moment" are catchy and energetic, with memorable hooks and driving rhythms. Ballads like "Can't Fight This Feeling" and "One Lonely Night" highlight Cronin's emotive vocals and the band's knack for crafting emotionally resonant songs. Gary Richrath's guitar work is still a prominent feature, but it's often layered with synthesizers and other effects. The production is slick and professional, giving the album a modern and radio-friendly sound. Wheels Are Turnin' is a solid album that demonstrates the band's willingness to experiment with new sounds while still staying true to their core values. It's a worthwhile addition to any REO Speedwagon fan's collection, offering a mix of familiar sounds and new sonic explorations.

Life As We Know It (1987)

Life As We Know It, released in 1987, is REO Speedwagon's twelfth studio album and a reflection of the changing musical landscape of the late 1980s. This album saw the band experimenting with more contemporary sounds and production techniques, incorporating elements of pop and electronic music. While it didn't achieve the same level of commercial success as their earlier albums, Life As We Know It still has its moments and demonstrates the band's willingness to evolve.

The album features a mix of upbeat tracks and heartfelt ballads, showcasing the band's versatility and their ability to adapt to new musical trends. Tracks like "That Ain't Love" and "Variety Tonight" are catchy and energetic, with memorable hooks and driving rhythms. Ballads like "In My Dreams" and "Goodbye Baby" highlight Cronin's emotive vocals and the band's knack for crafting emotionally resonant songs. Gary Richrath's guitar work is still present, but it's often overshadowed by synthesizers and other electronic effects. The production is slick and modern, giving the album a contemporary sound. Life As We Know It is an interesting album that demonstrates the band's willingness to experiment with new sounds and push their creative boundaries. While it may not be their most iconic album, it's a worthwhile addition to any REO Speedwagon fan's collection, offering a glimpse into the band's evolution.

The Earth, a Small Man, Our Own True World (2007)

The Earth, a Small Man, Our Own True World, released in 2007, is REO Speedwagon's thirteenth studio album and their first studio album in over 20 years. This album marked a return to their classic rock sound, with a focus on strong songwriting, tight arrangements, and heartfelt performances. While the music industry had changed significantly since their last studio album, REO Speedwagon proved that they could still deliver the kind of rock and roll that their fans loved.

The album features a mix of upbeat rockers and heartfelt ballads, showcasing the band's versatility and their ability to connect with a wide audience. Tracks like "Find Your Own Way" and "I Needed to Fall" are catchy and energetic, with memorable hooks and driving rhythms. Ballads like "Lost at Sea" and "1 Million Miles Away" highlight Cronin's emotive vocals and the band's knack for crafting emotionally resonant songs. The production is clean and professional, giving the album a modern yet classic sound. The Earth, a Small Man, Our Own True World is a welcome return for REO Speedwagon, demonstrating that they still have plenty to offer after all these years. It's a worthwhile addition to any REO Speedwagon fan's collection, offering a mix of familiar sounds and new sonic explorations.

Alright guys, that wraps up our journey through the discography of REO Speedwagon! From their early, raw beginnings to their arena-rocking heyday and their more recent work, it's been quite a ride. I hope you've enjoyed this deep dive into their music, and that you've gained a new appreciation for this legendary band. Keep on rockin'!